|
MATANGO: FUNGUS OF TERROR !
Say it with me...MaTanGO. Matango.
MATANGO. Apparently the fungus of terror is a hell of a lot of fun to
say. What is that which is Matango? Also known as "Attack of the Mushroom
People," this film is the closest thing I've ever seen to a horror version of Gilligan's Island. Hitting the theatres way back in 1963, (one year
before Gilligan's Island hit the screen), Matango was one of the many horror
films directed by Ishiro Honda...the man behind most of those old Godzilla
films we know and love. Before you get your hopes up, I will go ahead
and tell you: this is not the story of a giant mushroom spreading chaos and
destruction in his wake. Like I said: This is more like the most
screwed up episode of Gilligan's Island you'll ever see, almost. (I say almost
because the Harlem Globetrotters versus the Robots is THE most messed up
thing to happen on that damn island...ever.) I don't want to give away
too much of the "Plot" too quickly, so let's get started.
Matango
starts with a man in a dark asylum, overlooking the neon city of Tokyo.
"They're all dead. All of them. I left them to die. I'll tell you my story.
You won't believe me. You all think I'm crazy." The man rants for a
little while, gazing out the window telling how his story is horrible and
frightening....the scene fades out and slowly fades into....HAPPY HAPPY
SAIL-BOAT RIDE WE ALL SMILE NOW!!! The movie shifts from brooding and
melancholy to sweet Jesus I need dru gs
to be this happy. We have a boatful of our cast, sailing away.
Just to force more evidence of how happy they are down our throats we're
subjected to one of the most well written songs I've ever heard. The
lyrics? "Lah, Lah, la-la, Lah, Lah" Now I'm guessing there may be a
problem with my Japanese to English translation of this film. Perhaps
in Japanese "Lah, Lah, la-la, Lah, Lah" translates to "I want to rock your
world, you make me feel like no other, we are all children of the Earth, no
less than the trees." I doubt it somehow...I think "Lah, Lah la-la"
just so happens to be Smurf lyrics, but I'm getting on a tangent here. Point
is, the entire cast is happy. You have the skipper, the novelist, the
actress (the Lah Lah girl), the first mate (our
very
own Gilligan for this adventure), and, well a few others. I'll admit
that I didn't quite catch every character's name....I blame it on not
knowing enough Japanese. Suffice to say none of them are married and
they're all, with the exception of our Gilligan, in pretty good
moods. Gilligan, who I'll introduce officially when he becomes
important, is bitter about not being as rich as everyone else on the boat.
See? Not that interesting.
The boat crashes in a storm. The
crew finds ano ther
stranded vessel on the other side of the island...a nuclear research ship
that's abandoned, minus a large amount of fungus growing on everything.
They also find all the mirrors broken. This is NEVER a good sign in a
horror movie. Whenever I leave an apartment, I'll have to make sure I
break all the mirrors in it just to keep the next tenant in check.
Anyway, everyone looks around the ship, eventually opening a cabinet to find
a GIANT MUSHROOM. Of course, said mushroom is sitting next to a whole
cabinet of eyeless turtles and other mutant animals. Their immediate
response? "Maybe we can eat it!" Personally, I think finding a
cancerous eyeless turtle next to my meal would only heighten my appetite.
They eventually do find canned food, as well as the Captain's Log.
They now know not to eat the mushrooms due to the neurological damage they
cause. This established, we really get to the joy that is Matango:
Fungus of Terror. Well, almost. You see, this is a
horror/suspense/drama...with that ration very light on the horror until the
last 20 minutes. You'll understand. Trust me.
Y ou
see, at this point in the film, there's a serious question of how much time
has passed. We switch from one scene where everyone is fine, and the
next...well in the next scene almost everyone has snapped. They've
decided to live on the fungus ship. People take shifts keeping an eye
out for passing vessels while the rest go out to look for food, warned not
to eat the "dangerous mushrooms" that grow everywhere. Gilligan is off
s neakily
eating turtle eggs raw, something this movie shows us for far too long.
Seriously, we get to see a scrawny Japanese man suck eggs for what seems
like an eternity. Very few things I've found so repulsive. The
Captain has locked himself away in his room, where he does nothing but
polish his rifle. That last comment does indeed have double meaning.
You see, when Gilligan finds the actress having sex with one of the men,
they start fighting. Why? Apparently, they all agreed to not
have sex with the girls, since it would drive the other men crazy.
This leads to a lot of leering from the very scary egg sucker Gilligan,
where he has a great monologue explaining how he's supposed to rape the
women...it's only natural. Jesus this guy really couldn't get any
worse. (Somehow I wonder if on the actual Gilligan's Island the
Skipper and Gilligan might have made a similar agreement with the Professor
concerning sex with Ginger or Mary Ann. Might explain a lot of crap that
DIDN'T go on on that island.) Yet, the girl's aren't sane either, dressing up as ghosts to
investigate a noise they heard in the hallway. The film is actually a
bit suspenseful, since the crew's gone crazy and there's a strange
lumpy-headed "thing" that wanders through the screen occasionally. By
wander I mean just that: whatever it is doesn't seem to really want to
be in the movie. Sure, it's the classic "don't let them see the
monster yet" bit...but this is kind of strange. Everyone in the movie
tends to ignore the wandering monster, even when it apparently attacks one
of them in the hallway. When I say "apparently," I mean that it's sort
of implied. The movie does not want us thinking too hard about mushrooms
just yet.
Matango
stays pretty drama-oriented for about 90% of the movie. The Captain
goes completely crazy after eating the dangerous mushrooms along with a
another member of the crew. You really don't want to hear too much about
drama, but suffice to say the Slut-actress is forced off the boat with a
would-be mutineer. You may notice the mutineer Captain's very short
shorts. What is with old Japanese movies and scary short shorts? Gilligan, the repulsive would-be rapist raw egg sucker gets shot by the
mushroom-crazed captain before they disarm and banish him and his woman.
So now there's a guy in the woods that's crazy as well as the Lah Lah girl.
And that's when the film becomes interesting.
Now keep in mind that everything that I've
told you takes up almost the first HOUR of the movie. The drama isn't
bad, but besides someone roaming around the ship, there's very little to be
said of the deadly fungus of the title. There's also only about 18
minutes left in the film. The film's got to do a lot pretty quickly if it
wants to really hold onto that "Fungus of Terror" title. And that's
why the final act is so freakin' weird.
It's Mushroom Time!

Now there are three people left on:
The author, his friend, and the author's girlfriend. The author and
his girl go hunting for food leaving his
friend
alone on the ship. That's when the kind-of loopy seductress enters the
ship. Of course he hasn't been with a woman in forever and is easily
convinced into following her into the island's jungle. He's not really
s o
convinced as "easily led" since he completely falls on his knees kissing her
arm the moment she shows up. So crazy slut leads our buddy into the
woods, telling him to go ahead and eat the mushrooms. He's starving
and does so. As soon as he's eaten a few this is what she says:
"There's something I didn't tell you. Once you eat the mushrooms you become
a mushroom! Hahahahaahaahahaahahahahaha!" She then points out the
half-mushroom captain. And then the hallucinations start. I'm
going to let the pictures speak for themselves.



Basically, a bunch of showgirls keep us
entertained for a while, swirling about. Just think of the "Pink
elephant" scene from Dumbo to understand the quality of weirdness going on.
We go from "eat the mutagenic mushroom" straight into "see how flexible Sexy
Suzuki is" in about 30 seconds. If this wasn't enough weirdness for
you, men in lumpy mushroom costumes fight with the author and kidnap his
girlfriend. Now I'm guessing you've been waiting for a picture of the
great MATANGO since you saw the title of this article. Sadly, I have
only bad news for you. The "Mushroom People" don't photograph too well
because they look just like moving piles of scenery...because that's more or
less what they are. Japanese men in big rubber suits, this is what
cinema is all about. I wish I could do better, but this is about as
good as it gets.

Not too exciting, I know. But just
imagine our hero
as
he fights a swarm of maniacally laughing giant mushroom people.
Or not. Our hero (the author) Akira roams about the magical forest for
a while, taking pot shots at giant mushrooms that are literally trying to
entice him to eat them so that he'll hallucinate and become a mushroom too.
They're not that articulate, but I'm paraphrasing. In all other
respects it's a standard "zombies everywhere" scene, the main difference
being that most zombie movies don't have giggling mushrooms dancing all over
the place. Anyway, Akira finds his girlfriend high on mushrooms and he
runs away, hops
on their escape raft and, well, escapes. I'm not going to ask the
obvious question concerning the raft, but apparently they didn't use it due
to lack of food for the trip. Luckily our boy Akira had some mushrooms
packed in case he got hungry. And therein lies the surprise ending of Matango: Fungus of Terror. "The mushrooms...I ATE THEM!" So our
boy's half-mushroom now too. The movie ends with Akira looking out
over the bright Tokyo night, realizing that the big city is no place for a
human mushroom. I'm serious. That's how it ends. The morale:
The big city is no place for mushrooms.
So where's the Terror in the Fungus known
as Matango? To be honest the suspense is there, but mostly as weird
pre-mushroom cra ziness happening on the boat. Of course you forget all
about that once people start turning into mushrooms on screen, but
tension-building drama is really what Matango has to offer. What the
hell am I saying? At least this film isn't boring. But
I'll just say that Matango is the fungus of Strange and leave it at that.
I mean, what was the writer thinking? How many other food items would
be scary if after eating them, you turned into that very thing. MaTACO:
Enchilada of Terror comes to mind, but I'm sure even turning into a giant
jelly-donut monster could be scary under the right circumstances. So,
the plot of this movie is really how a bunch of castaways land on an island
inhabited by mushroom people that just want to get them high. I think
it's safe to say that drugs were somehow involved in the creative process
for Matango: Fungus of Terror.

EAT ME, HUMAN. I AM
DELICIOUS.

Run Home, Save
Yourself!
copyright jared, except for al mushroom related images on
this page. Fair use is a wonderful thing though isn't it? Nintendo
owns the rights to most of the mushrooms, except for the one's that turn
Mario INTO a giant mushroom/plumber. |