
|
Happy Easter. How should I celebrate? I already had a review written up for this Wednesday and Monday morning someone hands me a copy of Night of the Lepus. What the hell is this? The Answer: A killer Bunny movie. How could I NOT review this film for Easter? And yes, I know that the Easter Bunny is just an offshoot of the Pagan tradition and/or is just a commercialized tool for selling candy but honestly I picture pink bunnies made of marshmallows before I picture the zombie Messiah returning from his tomb. Maybe I'm odd. So, if you don't celebrate Easter or think that the Easter Bunny is a terrible thing, simply accept that the following is yet another "giant monster" movie. (Random Trivia: I'm sure you've seen at least a clip from this movie. It played in the background of The Matrix as well as in Natural Born Killers.) In 1972, MGM apparently
thought that making a "Giant Killer Rabbit" movie was the way to go.
Without even knowing anything about this film you can imagine some
of the inherent flaws in what we're about to watch. (Hint: Bunnies
are cute.) There's no way I'm going to do a full play-by-play plot review
here...this movie is messed up, but not in the same way as some of the
other refuse that I've reviewed. I will give you a quick summary:
"Two Scientists are called in to deal with a plague of over-populating rabbits. One of their test subjects is released by their "rabbit loving" daughter and breeds with the wild rabbits (the test bunny not the daughter, you sick bastards) making a population of giant flesh-eating rabbits. In the end, the National Guard kills all of them with an electrified train track (and flamethrowers) and everyone is happy." I think the first
obstacle this film had to get over was how gosh-durn cute bunny wabbits
We get to watch our main characters shove a dozen rabbits into a garbage can. Ok, it's not really that bad but the film puts a whole crate of rabbits into that tiny can and it's implied the rest go in. The other highlight is the gentleman in the cowboy hat....He gets bitten by a rabbit and his biologist friend tells us all that a rabbit bite can be very, very dangerous. God, if I were a rabbit in this town, I think I'd have to go on a murderous killing spree. Which brings us to the other method the film uses to make the rabbits less-than-cute. For the first half of the film you don't really get to see the rabbits. It's the classic horror movie trick where you only see a brief glimpse of the monster and you're not quite sure what you saw. In this film you know god damn well what you saw but something about it makes your brain explode. Then again, maybe extreme close-ups are enough to scare anyone (a quick Google search confirms this). Now I'm just going to give you some of the gory high-lights that should make you fear rabbits for all time.
Is this cute to you?
How about this? The film really seems to get off on showing super-close-ups of rabbits to not only make them seem huge but to make them look scary. I can just hear the director: "It's just not scary enough! What else can we do to make the cute little bastards horrifying?"
Let's show a bajillion
shots of rabbits covered in blood! None of these shots last long, so
I apologize for the poor quality of the picture above. The rabbits
go on randomly killing anyon Ok, I'm procrastinating showing you the "money shot" of this film...namely the footage of the rabbits themselves. To take your mind off the delay let me slip into trivia mode. Guess who was in this film?
That's right, Dr.
"Bones" McCoy. His real name's DeForest Kelley, but I bet if I just
said that, only the people who can speak Klingon and have the habit of
saying " It's time. You may be wondering how they created the "giant rabbit" special effect. Ok, you don't really care, but it's so lame it's funny. The director of "Night of the Lepus" pulled a classic Godzilla film trick. He made very tiny sets fashioned to look like towns and buildings and filmed rabbits running around the models. That's it. There's nothing more to it. This entire film consists of a few shots of people screaming, a lot of shots of rabbits running around on models in slow motion (because slow motion = huge, apparently), and a few "guy in a bunny suit" shots thrown in for spice. Here's a mini-gallery to show you what you can expect to see A LOT of if you have to watch this thing:
They're still so god damn cute, aren't they? If I were a little girl (and believe me I've tried) I'd so want to build a little dollhouse/city for Mistah Wabbit to play in. That last picture on the right is a rabbit getting shot in the stomach (as it tries to gnaw it's way into someone's basement). I will say that there's no declaration that "No animals were harmed in the making of this film." It's no bunny snuff film but, well, you know. Or more specifically, you're not sure. Wait. I can't end the review there. There's too much pain. What were they thinking when they made this movie? I can think of dozens of animals that no one's ever used in a "giant animals attack" film that would be infinitely scarier than bunnies. I mean, sheesh. "Night of the Killer Squirrels" or even "Night of the Poodles" would have been more frightening. Still, they tried to make up for it in blood and, well, editing to make it not suck so much. :sigh: In conclusion I will say that there are some moments in "Night of the Lepus' that are worth seeing. Imagine you're driving down a deserted stretch of highway late at night and you see this in your rearview mirror:
While my first instinct would be that I seem to be having a drug flashback, I would be at least a little disheartened. Of course, if giant rabbits really existed, they'd be the perfect predator: They'd be so god damn cute that we'd just stand there saying "Awwww" while they ate our flesh. On that note: I hope you guys have/had a good Easter. God knows I'll be eating the head off my chocolate Easter Bunny with particular gusto this year. -Jared
All material Copyright 2005 by Jared Hindman...except what isn't and what's stolen...particularly any reference to Jesus. After he being bought out, he's the property of AOL JESUS TIME WARNER. |